John everett millais, ophelia, 1852 Stock Photos and Images
RMHCGC9A–John Everett Millais - Ophelia - 1852
RFB7ANC3–Ophelia John Everett Millais 1852 Tate Gallery collection Kenneth Branagh's Hamlet
RMMNXB6F–Ophelia circa 1852. 1124 Sir John Everett Millais 003
RF2F6D0A0–John Everett Millais - Ophelia 1852
RM2DDJAA9–Ophelia, Head Study, 1852 John Everett Millais, From the Pre-Raphaelites.org website: 'Millais asked Elizabeth Siddal to pose for his painting 'Ophelia' (Tate Gallery, London) at the end of 1851, but she was unable to come to his studio until January 1852. There, to simulate the drowning heroine of 'Hamlet', she famously lay in a bath of water, warmed by lamps placed underneath.', Art Movement, Pre-Raphaelite, Drawing, Pencil, Women, Literature, William Shakespeare, Sketch, Female, Literature, Character
RMP43HNA–'Ophelia' (detail), 1851-1852, Oil on canvas. Author: John Everett Millais (1829-1896). Location: TATE GALLERY, LONDON, ENGLAND.
RMKC7Y03–Ophelia (Shakespeare, Hamlet, Act 4, Scene 7), After Sir John Everett Millais, March 1, 1866
RM2CMTWJ4–John Everett Millais, 1852 - Elizabeth Siddal - Study for Ophelia.
RF2A430E1–Postcard of 'Ophelia (detail) 1851 - 1852 by Sir John Everett Millais -Royal Academy of Arts. Character from William Shakespeare's play Hamlet.
RM2RB9XFK–Ophelia 1852 by John Everett Millais
RMHM376C–John Everett Millais, 1852 - Elizabeth Siddal - Study for Ophelia
RM2R0CD87–Ophelia - Head Study, 1852. John Everett Millais. From the Pre-Raphaelites.org website:. 'Millais asked Elizabeth Siddal to pose for his painting 'Ophelia' (Tate Gallery, London) at the end of 1851, but she was unable to come to his studio until January 1852. There, to simulate the drowning heroine of 'Hamlet', she famously lay in a bath of water, warmed by lamps placed underneath.'
RM2HHX5HW–Ophelia (Shakespeare, Hamlet, Act 4, Scene 7) March 1, 1866 After Sir John Everett Millais British Here, Hamlet’s rejected lover, her mind unhinged, has fallen into a brook while picking wildflowers. Inspired by an evocative description of Ophelia’s death in Shakespeare’s Hamlet (act 4, scene 7), Millais painted the subject for a London Royal Academy exhibition in 1852; this masterful print reproduces that composition. As a member of the Pre-Raphaelite Brotherhood, Millais challenged artistic convention and spent months outdoors painting the lush setting, and then posed a model in a bathtub in
RMMNP1TP–Ophelia between 1851 and 1852. 943 Ophelia john everett millais
RF2F6D00B–John Everett Millais - Elizabeth Siddal Study Ophelia 1852
RMPARTYX–Ophelia (Shakespeare, Hamlet, Act 4, Scene 7). Artist: After Sir John Everett Millais (British, Southampton 1829-1896 London). Dimensions: Image: 20 11/16 in. × 34 in. (52.5 × 86.3 cm) Plate: 25 7/16 × 37 1/16 in. (64.6 × 94.2 cm) Sheet: 27 3/8 x 39 3/16 in. (69.5 x 99.5 cm) Chine collé: 24 5/16 × 35 13/16 in. (61.7 × 90.9 cm). Engraver: James Stephenson (British, Manchester 1808-1886 London). Publisher: Henry Graves & Company (London). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: March 1, 1866. Here, Hamlet's rejected lover, her mind unh
RM2RB9XFM–Study for Ophelia 1852 by John Everett Millais
RMMP8F01–. English: Elizabeth Siddal - Study for Ophelia . 1852. 732 John Everett Millais, 1852 - Elizabeth Siddal - Study for Ophelia
Download Confirmation
Please complete the form below. The information provided will be included in your download confirmation